Saturday, July 22, 2017

Q&A with Robin Merrow MacCready

Robin Merrow MacCready is the author of the new young adult novel A Lie for a Lie. She also has written Buried. She lives on the coast of Maine.

Q: How did you come up with the idea for A Lie for a Lie, and for your main character, Kendra?

A: Kendra’s story is based on a few different events that took place when I was a teen. Without disclosing too much, let’s just say that it was shocking to find out the real life stories of friends and their families.

Even more intriguing were the ways in which they coped, or didn’t cope with their new realities. These events stuck with me and over time two separate novel ideas became one. I loved these characters!

Q: The book takes place in a community in Maine. How important is setting to you in your writing?

A: Both my novels are set in coastal Maine, as is my current work in progress, though half of the story takes place in the New Hampshire mountains.

Kendra (A Lie For A Lie) and Claudine (Buried) struggled to come to terms with things they couldn’t face, and though a person doesn’t have to live on the coast to go through such things, I know this place intimately and love developing my stories around the woods and water.

Q: How was the book's title chosen, and what does it signify for you?

A: The original title was Snapshot. In fact, it was still Snapshot until marketing spoke up. I think they saw a snapshot as dated, since people don’t print many photographs these days. And also, snapshot sounds similar to Snapchat.

When my editor told me they wanted a change she some a few ideas and suggested I make a list of possible titles if I wanted some input. I love brainstorming titles and tag lines.

A Lie for a Lie was their favorite. It’s a play on “An eye for an eye…” and because Kendra is all about revenge as a result of what she sees, the new title worked. It left a question hanging in the air: If someone lies to you, should you lie to them, expose it, or hurt them?

Q: Did you know how the book would end before you started writing, or did you make many changes along the way?

A: My original synopsis had a different ending. The story changed a bit along the way. Characters disappeared, jobs changed, relationships ramped up, and so the ending changed, too. I imagine I’m not the only writer that revises more than once.

Q: What are you working on now?

A: I’m writing a novel set in 1840s Maine and New Hampshire. My main character has special powers, but she won’t embrace them. She wants only to be a common girl with common problems. When a tragedy results in her getting to live the life of a village girl she finds that being common isn’t as easy as she thought.

I’m deep in the research stage and love the way the language of the time shapes the narrative. I love this new adventure!

--Interview with Deborah Kalb

Q&A with Jeff Attinella

Jeff Attinella is the author of the children's sports book series It Had To Be Told. He is a professional goalkeeper for Major League Soccer’s Portland Timbers.

Q: How did the It Had To Be Told series come about, and how did you pick the four topics you've written about?

A: It Had To Be Told got started after my daughter, Remy, was born. She was about three weeks old and my wife and I were watching the Chicago Cubs win the World Series.

I couldn’t believe that my little girl would never know about the curse of the Cubs and the “Lovable Losers.” She was born into a world where this longstanding headline in sports had come to an end.

Fast forward a few months, I was home in Tampa about to go watch my Buccaneers play and I thought to myself, “How am I going to get Remy to care about the Bucs with me?”

I started jotting down this little rhyming story on my phone and realized I might be on to something. I told the idea to my father-in-law, who is also a big sports fan and entrepreneur, and he really took my ideas and ran with them.

The first story was obviously about the Bucs, but it was very rough and unfortunately, they haven’t had any really noteworthy story lines to share, so that was tabled.

The Cubs’ World Series win was still pretty fresh on everyone’s mind and the story sort of told itself. The history of the curse and the way they won made it really fun to write. 

The Cavaliers had also just won the first championship for Cleveland in a very long time, so it seemed like a natural choice. 

The wins in Chicago and Cleveland meant so much to their cities and to the people. The misery of never winning, coming so close for so long and then to ultimately win a championship after so many years, made for a great story that deserved to be passed down to the next generation of fans.

The Super Bowl this past year fell right in line with the other stories - just a whirlwind of emotions as a fan and a huge comeback that everyone was talking about. Anyone watching would have thought that the New England Patriots had no chance of winning that game.

Yet they had Bill Belichick on the sidelines and the greatest quarterback of all time, Tom Brady, and they did the impossible. Plus, this Super Bowl win cemented the two of their legacies, which in itself makes for an inspiring story. 

Lastly, we decided to tell the story of the Space Race because it simply is an incredible story. Putting politics aside, it was two huge world powers literally racing to the moon. It was a fun process to turn this monumental moment in American history into something that younger kids would enjoy and understand. 

Q: What do you hope kids take away from the stories?

A: My hope is that kids who may not typically like reading find these stories enjoyable enough to actually look forward to reading them. I know that growing up, sports played a huge part of my life. Professional athletes were who I looked up to and aspired to become; my favorite teams were the reason I stayed up late at night on a school night.

By channeling this same excitement and influence, I hope that young kids get excited to read and learn about the legacies of their sports idols and the history of their favorite teams.

I also want them to be inspired by the incredible triumphs in sports. Not only can kids learn to read or learn about their favorite sports teams, they can also aspire to achieve greatness like the stories we tell.

I was never a kid who liked reading, but I was always interested in sports. I have friends with children that are the same way. I truly hope that my stories speak to kids like myself that are looking for a book that is different from the rest – one that speaks to one of their main interests, sports.

Q: What role do you think sports play in kids' lives today, and as a professional soccer player, do you plan to write a book for this series about soccer?

A: I’ve been around sports my entire life, whether I was playing in or attending games, and I can’t help but notice the amount of kids that attend sporting events, from professional to high school.

Professional sports emphasizes youth involvement. We are constantly working with kids in the local community and our job extends well beyond the boundary lines on the field.

Even as a collegiate athlete, I remember seeing how kids looked up to us and how their parents leaned on us to set great examples. This responsibility should not be taken lightly, and unfortunately, many professionals don’t consider the impact that their decisions make.

I can remember going to the Tampa Bay Devil Rays (now Rays) games before batting practice with the hope of getting an autograph or just a chance to see some of the players. Those players never realized it, but those were some of the happiest moments of my childhood.

Now, as an adult, I am fully aware that my decisions and the choices I make have a huge impact on the children that I see or work with. I hope that my stories can ensure that the impact I make on kids is a long-lasting, positive one.  

I definitely have a few soccer stories in the works. The soccer stories have been especially fun because the sport reaches around the globe, and to women and men alike. As a new dad to a little girl, there’s a huge soccer story I’m especially excited about. 

Q: What age group do you think would especially enjoy the books?

A: Since our launch, we are realizing that these books are not just great for kids but sports fans of all ages. I’ve had dads telling me how much more they are enjoying reading time because it is telling stories that stir up an emotion and they’re getting to share moments that were really magical to them with the next generation. 

Basically, if you are a parent that loves sports and wants a book you’ll enjoy reading at night to your kids -- these stories are for you. If you’re a kid who loves sports or just wants to enjoy an entertaining and artistic picture book – these stories are for you. If you’re an avid sports fan with no kids, you’ll appreciate the history and incredible artwork of the books – so, these stories are for you.

Q: What are you working on now?

A: Right now I’m working on a story about the many traditions in the Alabama football program, as well as a story about Pittsburgh, the City of Champions. Each place has such long-standing traditions and diehard fan bases. We’re hoping the stories we tell can bring joy to the lifelong fans, while providing new generations a great way to catch up on the history.  

Q: Anything else we should know?

A: I started writing these stories because I want my daughter and future children to love mine and my wife’s teams the way we do. It’s where our relationship first started, and it’s one of the things that keep us close to our families, even though we live clear across the country from them.

I hope these stories help share that bond with other families, too. The books were written for children, but as we’ve grown and learned more about our audience, I’m seeing that these books resonate with the parents, as well, and that’s been awesome.  Kids grow up and people move away but having that hometown team can be one more thing to keep everyone close. 

--Interview with Deborah Kalb

July 22

July 22, 1849: Emma Lazarus born.

Friday, July 21, 2017

Q&A with Julia Glass

Julia Glass is the author of the new novel A House Among the Trees. Her other books include the bestselling Three Junes and I See You Everywhere. She is a Distinguished Writer in Residence at Emerson College, and she lives in Marblehead, Massachusetts.

Q: One of the themes you address in your book is artistic creativity and how it affects your characters Mort, the children’s book author, and Nick, the actor who’s playing Mort in a film. Do you think their experiences of creating art are similar, despite their different mediums?

A: I like to think that the fiction writer’s work is almost identical to that of the actor, with one difference: the writer does it in private while the actor must, at some point, do it in public. (Yes, big difference!)

But we are both tasked with immersing ourselves in hearts and minds other than our own—and in making our characters come alive for the audience we want to entertain and move.

We are soul mates, perhaps, when it comes to the way we exercise our imagination. (The Nobel Prize–winning Australian novelist Patrick White once said that the only reason he became a fiction writer was that he couldn’t be an actor.)

So in that respect, Mort’s work is parallel to Nick’s, and it’s part of why they “bond” so quickly in their e-mail correspondence, prior to Lear’s sudden death, and why Mort entrusts Nick with a secret he needs to unburden.

Yet the public quality of a successful actor’s work bestows on him genuine celebrity, which a writer’s work rarely does. I’m sure that even Maurice Sendak, who was the inspiration (though not the model) for Mort Lear, could walk down a busy street in New York City without being stopped for an autograph or its modern-day version, the selfie.

Probably most authors cherish this anonymity—but not all. I am certain some would envy the Nick Greenes of the world, who are widely recognized, even adored, by total strangers. I think my character Mort, as he aged, had a craving for true stardom, which led him toward the folly of hubris.

Q: As you mentioned, the issue of fame also arises in the novel. Why was that something you chose to explore, and how do you see it affecting your characters?

A: Fame—which comes in forms other than tabloid celebrity—is a subject I did not anticipate addressing when I started writing A House Among the Trees.

I love how dim-witted I often am at the outset of a story! Because here I am portraying an iconic, revered children’s author and a newly minted movie star. (“Duh,” as my teenage son might say.)

What I loved, as I wrote my way in and got wise to this issue, is that I accidentally created two characters on opposite sides of their fame: one just emerging into its blinding brilliance, the other fighting (if subconsciously) to keep his place in the spotlight over decades of a career following the book that made him a household name.

People often talk about achieving public recognition of their success as “having arrived.” But here’s the thing: the place at which you’ve arrived is as much like the peak of a mountain as it is like a fabulous party.

It’s a precarious place, and if you want to stay there, it takes a lot of hard work—which can lead to vanities, insecurities, and even jealousies that threaten the integrity of your work. Remaining true to the talent, vision, and plain old hard work that earned you success and fame (and maybe wealth) is never easy.

Readers of my novel see the consequences of this challenge in Mort Lear (and his loyal guardian, Tommy Daulair)—and the revelation of the challenge to Nick Greene. Merry Galarza, the museum curator who feels betrayed by Lear’s final wishes, suffers the collateral damage of fame.

Q: How was the book’s title chosen, and what does it signify for you?

A: Titles do not come easily to me, and they often change. This novel was, in my mind, The Inseparables right up to my turning in the first finished draft. For various reasons, that title wasn’t viable. I was disappointed.

My editor and I struggled with a number of alternatives, and then I began to think about how important Mort Lear’s house is throughout the entire story, not just as a setting but as the repository of Lear’s material and spiritual legacy.

And it stands on a property that he bought because he loved all its marvellous old trees (of which the reader gets a kind of tour toward the end of the book). I have always been captivated by trees, and whenever I visit a new place, I’m constantly bugging people to find out the names of the ones that are new to me.

What I didn’t realize when I settled on A House Among the Trees (choosing it over A House in the Woods, with its stronger fairy-tale allusions) was that I had unconsciously quoted the first line of Lear’s breakthrough picture book, Colorquake.

That fictional book begins, “Ivo’s mother kept a perfect house, a house among the trees.” Of course, my editor noticed it right away! (Again, DUH!)

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

A: I never know the end of a novel till I’m well into writing it—and still I may change my mind a few times. I write my novels the way that E. L. Doctorow claimed to write his: as if I’m driving in the dark, on a long journey, and all I can see is the short stretch of road illuminated by the headlights.

Yet I have faith I will reach my destination, even if, once in a while, I get lost along the route and have to—as a newfangled GPS would put it—“recalibrate the route.”

Q: What are you working on now?

A: Speaking of long journeys, I’m currently out on the road, promoting this novel, but once my touring winds down, I hope to return to the novel I set aside when these characters (Tommy, Morty, Nick, and Merry) knocked too loudly on my door for me to refuse them entry.

The suspended (I hope not abandoned) novel is set in Vigil Harbor, the seaside town I created at the end of The Widower’s Tale, and features at least one of the characters from that earlier novel. More I cannot say at this tender juncture!

Q: Anything else we should know?

A: My favorite part of being on the road to promote a new book is getting to meet the booksellers who sell it and the readers who will read it (or, to my astonishment, have done so already!).

I continue to learn new things about my own characters and themes as I answer questions and chat with fans—so far, in the Midwest and along the West Coast.

But I have several remaining events back in the Boston area, as well as in New Orleans, Nashville, and at the National Book Festival in D.C. I’ll be adding a couple of other venues to my fall schedule as well. Anyone interested in dates and details should keep an eye on my author Facebook page

--Interview with Deborah Kalb

Q&A with Bethany Ball

Bethany Ball is the author of the new novel What To Do About the Solomons, which focuses on an Israeli family. Her work has appeared in a variety of publications, including The Common and The American Literary Review. She lives in New York.

Q: How did you come up with the idea for your novel, and for the Solomon family?

A: I married an Israeli about 17 years ago. I think whenever two people from different cultures marry there is going to be friction and a kind of culture shock, for both parties.

My husband was a kibbutznik from a large-ish family. I had not really intended on writing a book about Israelis but I had written several pieces about Israeli commandos and a story about an Israeli mother who unknowingly leaves her child alone while she travels to America.

When I wrote the first chapter of What to Do About the Solomons, which was about a kibbutznik named Guy Gever having a kind of breakdown (or breakthrough), I knew I had a book in the making. It was a lot of fun and a good way to write a first novel.

There were sparks between the stories, a kind of friction that propelled the narrative forward. And writing the book was a way for me to make sense of two things: Israeli culture and the dynamics of a large family.

Q: You tell the story from a variety of perspectives. Did you especially enjoyed writing about some of the characters in particular?

A: I enjoyed writing the first chapter very much. That was one of those rare chapters that felt completely effortless to write. It was the chapter that made me want to write the book.

Guy Gever is alien to me in many ways, and at the same time, utterly familiar. I love the idea of people breaking down and rebuilding themselves, creating a life they ultimately want. For that reason, I rooted for Maya as well.  

Q: The story takes place over many years in the life of the family. Did you write the chapters in the order in which they appear, or did you move things around as you wrote?

A: The narrative takes place over many years because my feeling about people is that you only really know them over a long period of time.

I wanted to show my characters evolving and devolving over years and years, but I didn’t necessarily want to do it in chronological order.

Memory does not work chronologically. Someone can behave to me in a certain way and maybe I’m surprised. Or maybe I will remember an incident that happened 20 years ago that illuminates the interaction. I wanted to bring that quality to the book.

Q: How was the title selected, and what does it signify for you?

A: I had a very difficult time naming this book. No one could come up with a title. It was a painful process. I kept going for sort of biblical titles, Old Testament titles, but they didn’t speak to the modern, secular nature of the book.  

Eventually, my amazing agent Duvall Osteen came up with the title. We were on the phone and she said it and I was like, That’s it! Luckily, my editors at Grove went for it as well.

Q: What are you working on now?

A: I’m right now trying hard to get back to my second book. It’s a more traditional novel set in Detroit, the American South and New York City in the year 1999 leading up to the Millenium. It deals with the mythology of Y2K, being broke, and auto plants.

One day I’d love to revisit the Solomons, but not for this book.

Q: Anything else we should know?

A: As someone who was born to Protestant parents but did a kind of conversion later, I wrote this book to help me understand this culture that was alien to me, and seemed also to be unknown to a lot of people here in the United States.

I wanted to write about kibbutz life and I wanted to write about a large sprawling family. In my mind I had Anna Karenina, Mrs. Dalloway, Bolano and even Spike Lee’s Do the Right Thing as references.

A good friend of mine who’s Greek said that he had many “Solomons” in his family and could relate. As crazy and in some ways exaggerated the Solomons are, they love and support one another and as someone who comes from such a small nuclear American Midwestern family, I envy them to some degree. 

--Interview with Deborah Kalb

Q&A with Amber Isaac

Amber Isaac (L) and Cody appearing on TV
Amber Isaac is the author and illustrator of the children's book Cody: The Teeny, Tiny Alpaca, which tells the story of an alpaca she is raising. She is the owner of the Silken Suri Alpaca Ranch in Colorado.

Q: Why did you decide to write this book about Cody?

A: I actually decided to write the children’s book at the suggestion of some of Cody’s online fans. They had been following Cody’s medical ups and downs from when she was a baby and suggested that she might be a great inspiration for children. Once they put the idea in my head, the story came to me very easily.

Q: How did Cody become such a famous alpaca?

A: When Cody was born, I didn’t even announce her birth online since her chances were so slim. After a couple weeks, I started posting photos of her online. People started cheering her progress. They’ve become very loyal and supportive during the ups and downs of her medical journey.

Q: How did you first get involved in raising alpacas?

A: After working 13 years backstage on Broadway, I moved to Colorado 10 years ago to be closer to my family. I wanted to work with animals and accidentally discovered alpacas. I instantly fell in love!! I purchased six alpacas that first year and now have over 100 on my ranch.

Q: What do you hope readers take away from Cody's story?

A: Cody’s life has been unique and unusual. She really has never fit in with the other alpacas on the ranch. I realized early on that many children face the same situation at school and in their everyday lives.

I really want Cody to be a catalyst to reach children who might feel left out or different. Cody’s book can help children learn that being unique is something to be celebrated. 

Q: What are you working on now?

A: I am currently working hard to promote Cody’s message every chance I get. My hope is to reach people across the country and all over the world. Her Facebook page has over 93,000 followers and her new Instagram account has already flown past 14,800! Her recent compilation video with The Dodo received over 13 million views.

We’d love to draw the attention of organizations who work with children who might benefit from Cody’s message: anti-bullying, special needs, foster care, etc.

Q: Anything else we should know?

A: Be sure to follow Cody on Facebook, Instagram (@CodyAlpaca) and Twitter (@AlpacaCody). Don’t forget to shop at 

--Interview with Deborah Kalb

July 21

July 21, 1899: Ernest Hemingway born.

Thursday, July 20, 2017

Q&A with Camille T. Dungy

Camille T. Dungy is the author of the new essay collection Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History. Her other books include Trophic Cascade and Smith Blue. She is a professor of creative writing at Colorado State University, and she lives in Fort Collins, Colorado.

Q: How did you choose “Guidebook to Relative Strangers” as your book’s title, and what does it signify for you?

A: One of the first essays I wrote for the book was "A Good Hike." In it, I find myself in the midst of a precarious situation. As I wrote in the essay, "The group of people on whom I found myself dependent were relative strangers," but thanks to their care and attention I was able to reach safety (and I got a great story too!).

As I continued the journeys that informed this book, I began to understand the importance of developing community with the relative strangers I find around me all the time.

From providing windows into our common histories to sharing unexpectedly delicious treats, writing this book was like penning a survival guide that made clear to me that the ability to thrive is dependent on finding ways to connect.

Q: The subtitle focuses on three themes: race, motherhood, and history. How do the three coexist for you?

A: I can't imagine how these could not be connected. The poet Emily Dickinson once wrote, "Today, makes Yesterday mean." Equally, tomorrow will be shaped by the decisions we make today.

Who I am as a woman has evolved since I have become a mother. I am even more concerned about the ways in which history and the present will direct my child's future.

Because I am a black woman in America, my concern is heightened even further because of the many ways the legacies of our history still guide us today.

Q: You begin the book with a description of an interaction at an artists’ retreat. Why did you choose that as your starting point?

A: One of the truths about opening my life to relative strangers is that my sense of self is frequently challenged. I am a writer. That part of my identity has been key to me for all of my adult life, and well into my childhood.

At the artists' retreat I wanted to compartmentalize my experience and put the artist side of me first. But that wasn't going to be possible. Other parts of my identity were called upon, sometimes tested. My race, my gender, my interest in history and its influence on contemporary social structures.

All these parts of who I am and what I care about were called upon despite the fact I wanted to just slip away and be a writer. It becomes clear that, for me, writing can't happen in isolation from these other parts of my identity. In the opening essay and throughout the book, I write about what it means to represent all these selves.

Q: Given the current political climate, what do you see looking ahead when it comes to the issue of race in the United States?

A: I have to live in hope, because my own life and my family's life is at stake, but I am also very concerned.

I know that this country, that the whole world, has been through divisive and repressive phases before. I understand that some of those moments in our history still haunt us fundamentally today. I have to stay alert and attuned to the dangerous climate, and I have to work to actively resist it.

There is quite literally a storm gathering outside my office window as I type this response. Thick gray clouds cloaking the sun, branch-bending wind, occasional flashes of lightning, that barometric depression that always threatens to give me a migraine, heavy raindrops and pebble-sized chunks of hail.

This storm will pass. I can hope we will stay safe. But I can't pretend it is not happening, that it is not potentially very dangerous. I have to acknowledge that if proper precautions aren't taken (and even in some cases despite our best efforts), a storm of this magnitude can cause irreparably devastating harm.

Q: What are you working on now?

A: As I said above, I identify as a writer, which means I am nearly always writing. Though I am not always writing a thing. It takes a while for a gravitational pull to develop around new work.

This year I've published both a new collection of poems, Trophic Cascade, and the essay collection Guidebook to Relative Strangers. I am writing, but I'll have to write a lot more in order to refill the well.

Q: Anything else we should know?

A: Thanks so much for spending this time with my words!!!! Much of Guidebook to Relative Strangers is about what I have discovered about myself and my country while traveling to give readings and lectures.

I am part of what one of my grandmother's favorite poems calls "a great, wide, beautiful, wonderful world." I am honored to have been able to write about it. I still love traveling and discovering the ways I can form deep connections with relative strangers. If you want to know if I'll be in your area, come visit my website!

--Interview with Deborah Kalb

July 20

July 20, 1933: Cormac McCarthy born.

Wednesday, July 19, 2017

Q&A with M.J. Rose

M.J. Rose is the author of the new novel The Library of Light and Shadow. Her many other books include The Secret Language of Stones and The Witch of Painted Sorrows. She lives in Greenwich, Connecticut.

Q: This is the third of your Daughters of La Lune books. Did you know when you wrote the first book that you’d be writing a series?

A: ​They aren't really a series at all - each is a stand-alone book that takes place in a different time period with a different member of the family and are written to be read in any order at all - or just one. I have about a dozen stories I want to tell about various members of this family though time - that I'm going to be coming back to over time.

Q: How did you come up with the idea for your main character, Delphine, and for her artistic gift?

A: ​I saw a series of paintings done by an artist I admire names Stephen Mackey and the idea came quickly - I was mesmerized by the paintings.

Q: What kind of research did you do to write this book, and did you learn anything that especially surprised you?

A: ​I do so much research for each book - much of it reaching original source material written during the period. I try to really live in the period and become obsessed with finding out tiny details - most of which never make it into the book.

I wasn't surprised as much as fascinated by all my reading. The Jazz Age was so radical  - coming right after World War I, people were tying to escape the horrors they'd seen and heard about and lived. Their efforts led to so much art and music and literature.

And women were living through a very liberating time and exploring their newfound freedom with gusto.  Having basically had every job on the home front during the war, they weren't so anxious to give up what they'd discovered about themselves.

Q: Do you usually know how your novels will end before you start writing them, or did you make many changes along the way?

A: ​I always know. I begin knowing where I'm going but the journey to get there is the surprise.​

Q: What are you working on now?
A: It's too soon to talk about other than to say it’s the same time period and its not about one of the Daughters of LaLune – it’s a bit different.​

Q: Anything else we should know?
A: I keep extensive Pinterest boards as inspiration before, while researching, and while I'm writing the book and readers always find them really interesting. Here's the one for The Library of Light and Shadow.

--Interview with Deborah Kalb

Q&A with Ann Marie Stephens

Ann Marie Stephens is the author of the new children's picture book Cy Makes a Friend. Her other books include Scuba Dog. She is an elementary school teacher, and she lives in Fairfax, Virginia.

Q: How did you come up with the idea for Cy Makes a Friend, and for your character Cy?

A: The notion of writing about a Cyclops came to me like most of my ideas. It was random. Cy jumped out of nowhere and tugged at me off and on for years.

If I dig a little deeper then I can say it probably came from a long time love of Greek mythology that started in 7th grade. Combine that with the fact that I am drawn to books where authors take unlikeable characters (like a one-eyed monster) and make them loveable and you have Cy.

When the story first started forming I knew I would highlight Cy’s insecurities to make him relatable to readers. Almost everyone has uncertainties when it comes to making new friends. If Cy, with his giant eye and lack of social skills, can put himself out there to make a friend, then anyone can.

Q: What do you think Tracy Subisak’s illustrations add to the book?

A: Tracy really surprised me with her illustrations... in an amazing way. When I am writing a story I always see images in my head. They help me develop my character. If I can see them, then I will know what they might do or say in any situation I present to them.

In my mind, Cy was a traditional Cyclops with a human body, large eye, and hair like Homer Simpson. When I saw Tracy’s sketch of Cy with his furry body, swoopy bang, and adorable smile, my own image disappeared immediately. I was in LOVE!

She chose the perfect colors and gave Cy the vulnerability I wanted him to have. My editor and I use the word “love” a lot when we talk about Cy. He has that effect on people.

Q: What do you hope readers take away from the story?

A: Most importantly, I want readers to see themselves in the book. Perhaps they are like Cy. Or maybe, they have no trouble making friends and need to see how hard it can be for other people.

It’s difficult at any age, to approach someone you don’t know, and attempt a conversation or friendship. I’ve had adults come up to me at book signings and say, “My kid is just like Cy,” or “I really identify with Cy because as an adult, I still have trouble making friends.”

Creating friendships requires bravery and sometimes patience. Like the book says, “Being brave takes time.”

Cy Makes a Friend seems to be helping out in the autistic community as well. Parents and teachers have talked to me about how their kids on the spectrum see themselves in Cy. Feedback like this means the world to me.

Q: Who are some of your own favorite authors?

A: This is an easy one! I’m a super fan of Bob Shea (anything and everything!), Laurie Keller (Arnie!!), Lauren Oliver (pure genius), Leo Lionni (every single mouse), Arnold Lobel, (Mouse Tales!), Ezra Jack Keats, (relatable characters), Pam Munoz Ryan (flawless storytelling), and Holly Goldberg Sloan (beautiful language).

I really like books that are funny or profound, and I gravitate to characters with strong voices. Many of my friends are children’s book authors as well, so obviously, I love and respect their work too! (Lezlie Evans, Mary Rand Hess, Sue Fliess, Kwame Alexander, Kathy Erskine, Ann McCallum... should I keep going?)

Q: What are you working on now?

A: This is a loaded question for me. I am working on lots of different things. I’m all about what I’m in the mood to work on when I sit down to write. Unless of course I have a deadline, then I don’t have a choice!

My current work in progress is a picture book manuscript. It takes place in the ocean and it’s about two creatures that have a perfect symbiotic relationship until a third party “drops in” and complicates things.

I’m writing a few other picture book stories too. That way, if I’m stumped on a plot point or even one line in my work in progress, I can jump to another story before I get frustrated.

I’m also doing some educational writing but I have to keep that stuff a secret until I don’t have to keep it a secret anymore! (Stay tuned.)

Q: Anything else we should know?

A: I guess I should tell you about my other books. I have Scuba Dog, published by little bee books. Boyds Mills Press will be publishing two of my books, titled Arithmechicks Add Up and Arithmechicks Take Away, about fuzzy little farm chicks that do math.

I’ve been an elementary teacher for over 26 years. I teach first grade which is one of the most challenging yet rewarding ages to teach. Every year my students motivate me to be a good person and teacher while simultaneously wearing me out!

I’m also a little obsessed with scuba diving and traveling the world to meet new people and see amazing places.

Lastly, I’m so appreciative of people like you, Deborah, for sharing the book love. Authors and illustrators rely on kindness and generosity to keep our books alive! Thank you!

--Interview with Deborah Kalb

July 19

July 19, 1921: Elizabeth Spencer born.

Tuesday, July 18, 2017

Q&A with Matthew Klam

Matthew Klam is the author of the new novel Who Is Rich?. He also has written Sam the Cat and Other Stories. His work has appeared in a variety of publications, including The New Yorker, Harper's Magazine, and Esquire, and he has taught at Johns Hopkins University, American University, and other schools. He lives in Washington, D.C.

Q: How did you come up with the idea for Who Is Rich?, and for your main character, Rich Fischer, a cartoonist teaching at a summer arts conference?

A: I have attended those summer arts conferences for decades, a couple of times as a student and many times as a faculty member. It seems they’re summer camps for grownups. We assemble a persona for the people we work with, our neighbors, and all that stuff is set aside.

It’s grownups indulging in another self—you set aside your mortgage, your marriage, and you’re really focused on one thing. You want to read a page of your memoir on stage…If you can get that other side of people in midlife, that’s where the general idea came from.

For the main character, for years I was casting around for someone who could be a stand-in for me, a male who doesn’t participate in capitalism the way men do. I took a class in cartooning and I met a cartoonist who said a lot of things I did as a short-story writer…

I was there studying [cartooning] just for fun. I started teaching at Johns Hopkins and it was fun to take a week out and draw…Everybody knows comics. We tap into it with our kids. When my daughter was 2 or 3, I did a lot of [that type of] reading.

Q: One of the themes that runs through the novel is creativity and how an artist works. What does Rich’s career say about the life of a creative artist?

A: It probably says it’s kind of challenging. Everybody’s life is hard. People in the arts come to understand that, especially people like Rich, who had a fairly effortless start. I share a lot of his background. He had a lot of notoriety, he published a book, and then all of a sudden he’s in his 30s, and what’s next? It’s illustrative of an early success story and what happens after that.

Q: How was the book’s title chosen, and what does it signify for you?

A: I was casting around for a while for a title that did a good enough job of covering the bandwidth of the book. I though of “Who Is Rich and Why?” I ran it by a friend who said it was too complicated.

I thought [Rich is] pretty obsessed with his envy of money, more than with money itself. Ron Charles did [pick up on that] in the Washington Post review, but in the early reviews I don’t see people paying much attention to that.

Q: Another theme in the book is marriage. How would you describe the relationship between Rich and his wife, Robin?

A: Yesterday I was talking to someone who said very defensively, That’s not my marriage, but I’ve been there.

You have to note that [Rich and Robin] are on the tail end of the sleepless years. They have a functioning marriage, but they do not have much insight, until the end. They’re in an awful place, but I really am hoping just by showing how much he knows about her, you’d get the sense he cares about her.

He also knows a lot about Amy [his romantic interest at the conference]. Amy is a disruptive force…

Q: Yes, how do you see the role of Amy in the book?

A: It’s a fantasy of his. She’s a real person, but they don’t know much about each other, just how good an emailer or texter they are…

She’s an American archetype, like a frightening Ralph Lauren model. What she really is is someone who wasn’t averse to going into banking, she met someone who’s in it…who is a billionaire. You can understand her staying, you can understand her leaving.

I came at [her relationship with her husband] from a few different angles. A lot of people I know have relationships that are works in process. Theirs is exaggerated. And she may not be giving [Rich] the full story.

Q: Why did you decide to set the novel in 2012?

A: It’s probably the unwieldy nature of the long haul of writing a book. I started it in 2010. In 2014 and 2015 I hoped whatever would happen in the next presidential election wouldn’t be so extreme that it would distract us. Little did I know.

I turned in the finished manuscript in July 2016. We worked on it in the summer and the fall, The die was cast in 2016. I was hoping Hillary would win.

Q: What are you working on now?

A: Putting some things in a folder. That’s about as far as I’ve gotten. I’m working on a couple of little things. I’m pretty distracted by being public with the book. It will take time to calm down.

--Interview with Deborah Kalb